NEW PROLOGUE, WHO DIS?
HAVANA GIRLS: PROLOGUE
IMOGENE - LOS ANGELES - 1950
The ratatat of typewriter keys slowed to a halt as the clock struck the half hour. Across the hillside lights sparked to life. Like a bejeweled cape unfurling, Imogene typically thought. Not tonight. Instead she scolded herself—I can’t put this off any longer—as she absent-mindedly chewed a thumbnail. Her daughter’s letter could wait.
She checked her watch. Three-thirty back home. Time enough to catch her editor prior to the afternoon meeting. She’d been putting off this conversation for weeks, but she was filing the next day. He had to know, before her work appeared in print, she’d no intention of giving the story of the century to the St. Petersburg Press. Especially since Aggie had promised a byline in the LA Times. She couldn’t turn down that career-changer for Briggs. Scratch that. Wouldn’t.
The only task she’d put off longer was the letter for Sally.
Touching the top plate of her Robin's egg-blue Olivetti, she re-read what she’d written so far. Unlike the phone call, she wasn’t sure this message was the right thing to do.
Her source could remain forever confidential. That was how this worked. But she wanted her daughter to know the truth. Sally was only eight, but already she saw the world in black and white. It was up to Imogene to help her understand that, sometimes, the only way to fight a monster was to make a deal with the devil. Her reputation as a gung-ho reporter would, otherwise, give the girl the wrong ideas. She would lionize her mother. Until the real story came out. Secrets had a tendency to reveal themselves one way or another.
Besides, her story would change lives.
From a certain angle, her reporting did include her original assignment. If it weren’t for the Black Dahlia case, she’d never have done this investigation. She looked down at the newspaper clippings on her desk, her work over the past five years. The ‘Beautiful Homes’ photo spread of the Juergen mansion was on top because chronological order made sense. Underscored what she was trying to show her daughter. That “story” was essentially a collection of captions. That was all Briggs had ever expected of her. At the start, it was all she’d ever expected of herself, and this was why—she reminded herself—she had to tell Sally the truth.
Shuffling the pile, she found her first big piece. The exposé she had given the Press—‘Bookie Joint, Crap Game, Houses of Ill-Repute — Tampa’s Biggest Crackdown.’ Her first investigative report. All because Briggs had sent her out on a puff piece—the Florida Girls beauty contest. That was a puff piece. Especially after Briggs got his fingers all over it. Thank heavens for Agnes Underwood.
Aggie had shown her how different work could be. She was her mentor, the first woman Imogene had ever worked for and the only woman she’d ever met who took less care in her appearance. Frazzled hairdos and wrinkled suits aside, Aggie never treated Imogene as anything less than a fully capable reporter. Then again, neither had Sal Giancarlo.
Shame bloomed in Imogene’s chest. She’d known all along that while he was feeding her stories to take down gangland’s most wanted criminals, he was moving in on their territory. But once he’d told her about the nefarious network that gathered vulnerable young women off the streets for the pleasure of men, his motives ceased to be a concern.
The clock struck the quarter hour. Beads of perspiration formed on Imogene’s forehead. She fanned herself with her shirt. She could delay no longer.
Lifting the heavy black receiver off its switch hook, Imogene dialed the operator. She’d just come on the line when a scraping noise sounded at her door.
Who on earth—?
The door knob rattled as she half-rose from her seat. A sudden sharp thud slammed the door on its hinges. Startled, Imogene dropped the phone and turned to face the window, cursing the view. This was no mere interruption and there was no escape down that steep hillside. But she couldn’t leave her confession lying about.
Ripping the sheet from her typewriter cartridge as she gathered her clips, Imogene thrust the lot into the Manilla folder she’d prepared. Where to hide it? Had she written enough?
She made a mad dash for the bathroom and stuffed the envelope into the one place no man would look, her sanitary napkin box. Her piece was at the Times, safe in her desk. After having her story about corruption in Las Vegas killed, she’d taken steps to ensure that wouldn’t happen again. No matter what happened, her exposé was safe.
The door burst open.
HAVANA GIRLS has been a real labor of love, my sendoff to the characters of The Queenpin Chronicles. I decided to give myself an extra challenge and make this one a dual timeline, written from only two points of view.
I know! That was hard to do. I love nothing more than giving the reader info the characters don’t have. In this effort, that’s what the two timelines achieve. It was tough going, making each story readable and compelling. When all was said and done however, I got feedback from beta readers that they wished there’d been more of an introduction at the top.
Having already shared the first chapter, what could I do that would still make sense to readers?
What follows below the book’s description is the result of my rumination on that question—the new prologue, hot off the presses.
KEEP SCROLLING and happy reading!
Dangerous secrets unite two women across GENERATIONS in this immersive historical thriller.
Like the spellbinding intrigue of The Nightingale and the dual-timeline mastery of The Forgotten Garden, L.L. Kirchner's novel reveals a shadow world where determined women outmaneuver the mobsters and g-men who never saw them coming.
Havana, 1950. Thelma Miles has carved out a precarious independence running a glamorous nightclub and raising her niece when she learns her reporter friend's car has gone over the cliffs off the Pacific Coast Highway. The woman had been on the verge of publishing a groundbreaking exposé. Only Thelma knows the deadly secrets she took with her—secrets powerful men would kill to keep buried.
Miami, 1978. Recently divorced Sam Fontana is still reeling when her father's death leads her to a mysterious envelope left by her mother—investigative reporter Imogene Fuchs—who died in a suspicious "accident" nearly thirty years earlier. What begins as a personal quest to understand her mother's past soon plunges Sam into a shadowy world where the glittering nightclubs of pre-revolution Cuba collide with the corrupt underbelly of 1970s Miami.
As their parallel journeys unfold, Sam and Thelma find themselves battling the same sinister forces—a lethal mix of organized crime, government conspiracy, and family betrayal. But each lacks trust in the other. With the stakes escalating, these two fiercely independent women must find a way to work together and expose the truth before the same powerful forces that silenced Imogene Fuchs return to finish the job.
Perfect for readers who prefer their heroines formidable and flawed.
For more by L.L. Kirchner, look for:
Florida Girls
Vegas Girls
American Lady Creature (memoir)
Blissful Thinking (memoir)